Translated from the German by Tim Mohr
Another of the books that I read for Read indies month in February which I am trying to squeeze in before the new deadline – unfortunately, I don’t think I’ll get the final one reviewed before then.
My Grandmother’s Braid by Alina Bronsky is published by Europa Editions, and was the second book I received as part of my renewed subscription to the Asymptote book club. It was a book I loved so much I instantly bought another by the author. This is a novel about a dysfunctional family and the weakness of the human spirit, written with biting humour, fabulous dialogue and a good deal of heart. A slim novel that has the power to surprise us when we’re least expecting it.
Max is a child who lives with his grandparents in a refugee residence in Germany. The family have recently come to Germany from Russia taking up residence alongside families in similar circumstances. Max’s grandmother, a former ballerina, has some vague Jewish ancestry which allowed the family to get out of Russia and come to Germany as refugees, but she is nonetheless terribly antisemitic, she also hates the Germans – which considering she is living among mainly Jewish families in Germany makes things rather difficult. The move was all her idea, and Max and his grandfather followed meekly in her wake.
Max is the narrator of this delightful novel, who grows from a child not yet attending school to a young teen over the course of the narrative. Max’s grandmother Margarita controls everything in his life – she insists that he is sickly and not very bright – happy to talk about him in such a way right in front of him. Max isn’t allowed to play outside, he isn’t allowed sweets or cakes of any kind, even on his birthday he blows out the candle only to watch others eat his birthday cake. His grandmother parades Max around a series of doctors trying to find someone who will agree with her assessment of the child – and she has a thick file of medical notes at home to back up her claims.
“I’d always thought of women whenever I felt a cold claw gripping my heart. Grandmother had started to prepare me for my demise very early. The notion that time was trickling away gave me a sensation like goose bumps, and I wanted to soak up as much beauty as possible. I loved everything about women. The thin ones were lithe and fragile like daddy longlegs. The sturdier ones radiated warmth and plushness. If women were big I admired their strength, and if they were small I regretted the fact that I couldn’t protect them. That my grandmother was also a woman never crossed my mind.”
When Max does start school – and much to Max’s own shame – his grandmother tags along – right into the classroom, refusing to leave and setting herself down beside Max. Though with her lack of German (Max is already having to translate for her) this thankfully doesn’t last long, as it seems that it is Margarita that can’t keep up with the pace of learning, not Max.
In less assured hands Max’s grandmother could have become so monstrous she would be difficult to read about. Yet, Alina Bronsky has written the character of Max’s grandmother so faithfully and with a delightful mixture of comedy and pathos that while we may be outraged by her – we don’t really ever find her behaviour as upsetting as we might otherwise. In time we come to understand something deeper about Margarita – her anger comes from a place of loss – and a fear of ageing.
Meanwhile Tschingis; Max’s grandfather is a quiet, gentle man going about his work with little fuss. He generally lets his wife have her own way – and so he happily consents to taking Max to his piano lesson at a neighbour’s apartment. Nina – a woman Margarita actually approves of when they first meet – has a young daughter who goes to school with Max and has agreed to give Max piano lessons.
“The piano lessons felt like a short trip to a world I wasn’t allowed to live in. After the lessons Nina sent me to the kitchen where there were cookies and tea on the table. Grandfather smoked on the balcony and she went out and stood with him for a while every time. From behind the fluttering curtain the contours of their shoulders seemed to blend together, one entity with two heads with smoke hovering above.”
Max is actually a very bright child he is observant and he notices immediately why his grandfather is so happy to take him along to the piano lessons. Max understands with the simple uncomplicated clarity of childhood that his grandfather has fallen in love with Nina. The reader, along with Max wait with baited breath to find out what will happen if and when his grandmother finds out the truth of what’s been going on. When months later Nina gives birth to a child who bears an uncanny resemblance to Tschingis, the two families are forced to live with this new and unexpected world that has been created.
For all Margarita’s faults – and they are quite numerous – we come to see that she is capable of great love – although perhaps on her own terms. There are reasons why she is like she is, and while we may not wholly forgive her, we come to some understanding. As Max gets older he starts to find ways of loosening those ties that bind just a little – and in time finds a new place in the world that is just for him.
Thank you Asymptote for another fabulous book choice, and the introduction to an author I will read more of soon.
You do make this sound rather compelling, I like the idea that a character that seems so overbearing and controlling might be explored with greater depth to bring about the reader’s compassion. Wonderful review.
Thank you. I know, on paper the character of the grandmother should be a horror to read about, yet the author makes her so much more bearable than you might expect.
This sounds very engaging! I’ve heard such good things about Asymptote, I really should investigate a subscription with them.
I think the Asymptote subscription is great, I was impressed the first time around, and now I am impressed all over again. My third book arrived recently and looks fascinating.
I love the fact that you’ve found a *new*, highly compelling voice through the Asymptote subscription. Isn’t it wonderful when that happens? A writer you might not have come across otherwise… And the book itself sounds excellent – the focus on familial relationships seems right up your street.
Absolutely, I am really looking forward to reading more by this writer. You’re right I do enjoy the exploration of these sorts of relationships and here with an excellent child narrator.
What a fascinating book, Ali. The grandmother does sound like a real horror, so the fact that you’ve come out of the book not hating her seems like a real tribute to the author’s skill!
Yes I think the author showed real skill in not making her too monstrous, though she is nevertheless quite awful. 😁
This sounds like a very well-done book, you make it a bit more compelling than others have, although we quite like a monstrous character done well, don’t we!
I really enjoyed it, and I do rather like a well written monster yes. There was some interesting depth to the character though.
You’ve written so perceptively about the characters here and now I’d really like to find out more about them. I’ve had Alina Bronsky’s earlier ‘Hottest Dishes…’ on my list for a long time and this book will go on it also.
I am really glad you like the sound of this one, it is ‘Hottest dishes…’ that I have recently bought.
I was just going to ask which one you’d ordered and see it’s in the answer to the comment above. That one seems to have had good responses too. The one of hers that I’ve read was her first, at least her first in English translation, a coming-of-age novel, slightly dark but beautifully written and strangely compelling. At the time I would have immediately ordered a second of hers, too!
She seems like such a good writer, I am definitely looking forward to reading more.