Slaves to the Lamp is the sequel to Sing for your Supper the novel which begins the Clothes of the King’s son trilogy. The novel could be read as a standalone novel, as there is only passing reference to events in the first novel, though naturally I would recommend beginning with the first instalment.
The title; Slaves to the Lamp refers to those who take comfort in their belief in spiritualism, faith healing and other mysticisms. Faith healers and their followers form just one strand of this slightly unusual – though enjoyable – novel. In true Pamela Frankau style – the canvas here is large, set in both England and the South of France, Slaves to the Lamp follows the stories of several characters, which inevitably weave together.
At the end of Sing for Your Supper – Thomas Weston, the youngest of the Weston children, elected to stay in England as his older brother and sister, his Pierrot star father and new stepmother Paula set out for America. Despite only being ten, Thomas was allowed his own way, cared for by his grandmother, and his beloved nanny Blanche Briggs – Brigstock as the Weston children call her. Now it is 1937, Thomas is twenty-one – and is working for Romney Butler’s advertising agency. Romney Butler is a wealthy man, but he has been suffering badly from arthritis in his hip, and has only recently returned to London following treatment. Thomas is living in a small flat above a shop – though dear Brigstock still takes care of mending his clothes. Weekends are spent with Carola Toyne, the twenty-eight-year-old daughter of faith healer William Toyne. One of William Toyne’s greatest believers is Robert Macintyre, a wealthy, successful osteopath.
As a child, Thomas had begun to realise he had inherited his grandmother’s gift (or curse) of E.S.P, and – following an incident when his sister Sarah was unwell – of healing. Since that time, Thomas has vowed never to use these talents. So, when Romney Butler’s secretary Queenie, asks Thomas to attend a spiritualist meeting she can’t, to ask a question on behalf of her boss – who she is slavishly devoted to – Thomas is torn.
“ ‘My control,’ said Mrs Swinburne, ‘is a doctor and philosopher who lived in the reign of the first Pharaoh. He will probably begin by telling you something about yourself. Please ask him anything you like. People usually prefer to write down the more confidential questions and hand them to me.’ Here Thomas decided he had lost Queenie’s questions, and began to fish for it agitatedly. ‘If you are wondering how my guide can read English, you needn’t. You will find a full explanation in Harry Masterson’s Facts from the Unknown. You can buy a copy for a shilling at the desk downstairs…”
Thomas’s brother Gerald who has begun to make his name as an actor in America, his sister Sarah, twenty-five and a marriage already behind her their father Philip Weston and his wife Paula are on their way back to England. Sarah has decided to stop off in the South of France – in the place the entire family holidayed together eight years before. Thomas thinks fondly of this time, when he last spent time with the whole family – the twenty-nine summer – seems to exist in his mind as a time of absolute perfection. Thomas revisits this perfect summer when he takes a short break to join Sarah in France. Here he also reconnects with Rab – Paula’s daughter – with whom he was so close as a child in Devon before the Weston family left for America.
“Standing in front of him there was a girl; but a girl who looked more like a boy. She was wearing a blue-and-white striped singlet with blue trousers. He saw the short, silky hair, pale as his own; the tanned face; the wide blue eyes above the bumpy cheekbones, the square, smiling mouth. This catalogue seemed to take him a long time: Rab was exactly as he knew her to be; but he found it hard to understand that he was seeing her.”
When Sarah eventually arrives in London she meets Thomas’s now former boss Romney Butler who is instantly smitten – and soon Thomas finds himself connected with Romney in a way he wasn’t expecting. Gerald has a part in a play – he is surrounded by theatre people, juggling contracts, trying to make his way in a competitive world of easily hurt feelings.
The thing that drives this novel for me is Thomas’s voice – although a third person narrative, the majority of the novel is told from his viewpoint – and Thomas is a very lovable character. He is an unusual character, not least because of his supposed ‘gift’. There are times when the adult Thomas reminded me strongly of the child Thomas in the previous novel – but then in so many ways shows us he is anything but a child. While working for the advertising agency – Thomas find his conscience will not allow him to work on campaigns where he feels lies are being told – his colleagues are puzzled – but Thomas happily shrugs his shoulders and walks out. He takes a job in the shop beneath his flat – and seems very happy. Pamela Frankau’s characterisation is as good as ever in this novel, these people are all fully rounded and explored in depth. There are some unexpected moments, tragedies and dramas – in a novel a little more than 400 pages there is a lot going on.
There were moments when I was a bit discombobulated with these three worlds, spiritualism, the theatre and advertising. In the end, it does all work – everything comes together – and we begin to see the deceits that exist within these different – and yet oddly similar worlds.
Overall I enjoyed this novel – mainly because Frankau writes such compelling stories and her characters are people I like spending time with. This is not such a good novel as Sing for your Supper – but still a really good read, and as I have the third in the series I am looking forward to seeing where the Weston family takes me next.
If you haven’t read Pamela Frankau before I would recommend starting with either The Willow Cabin or A Wreath for the Enemy.
The cover really is dreadful. I’m glad the book was good. I like the combination if themes, spiritualism, theater, advertising. I got The Willow Cabin after it made your end of year list, so I will start there. I read the first few pages a while ago. Theater also plays a role.
Yes the cover is awful. If I hadn’t ready known the writer I would have been put off. I hope you enjoy The Willow Cabin it was my first Frankau.
I haven’t read your blog before but saw the title of this post and had to see what you thought. I have the set of all three, and the Willow Cabin, some of them the original copies owned by my mum and I love them. Pamela Frankau is little known now, I probably first read these in my early teens and have returned to them again and again over the years because they are so beautifully written. Thank you for reminding me of them, and I’m so glad to find that someone else likes them and that they’re still being read!
Thank you. I wish Pamela Frankau was better known today. Glad to hear from another fan.
Lovely review Ali, and the book sound fascinating. I really must dig out some of the Frankaus I have and read one!
I would love to know what you make of Frankau.
That is a shocker of a cover but I’m glad you enjoyed what was inside!
Ha yes isn’t it at least I knew not to be put off. 60s covers are awful.
An advertising agency in 1937 would be interesting to learn about – this is very much in the infancy of the concept of advertising.Does the book give you much insight?
It gives a little insight but really just a flavour – it might not be the book to read to learn more about 30s advertising.
Ah ok, I shall have to be patient and hope someone writes a book which does that
Great review Ali, and that book cover is absolutely classic!
Classic 60s isn’t it. 😊
Great review. I came to know about Pamela Frankau through your posts. And I am eager to find and read a book by her after each of your reviews. Glad that even though this one seemed a bit abrupt at some places, everything really worked well together in the end.
It did, thank you. I hope you enjoy reading Pamela Frankau sometime soon.
I adore this book (the whole trilogy)! Maybe you can persuade Pan Bello to reissue Frankau?????
Well … 😊 I don’t know about that. They seem to have gone rather quiet.
[…] next read Slaves of the Lamp by Pamela Frankau, sporting a pretty dreadful 1960s cover – was the sequel to Sing for your […]
[…] follow the fortunes of a theatrical family over almost twenty years. In Sing for your Supper and Slaves to the Lamp – we saw the Weston children grow up in the shadow of PhilipWeston; their Pierrot star father and […]
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