Still working my way through the books I read in November. The Optimist’s Daughter at around 180 pages was one of the slight novels I chose for #novnov. Eudora Welty was a prolific short story writer publishing twelve collections of short stories between 1936 and 1988 and as well as some essays she also published six novels. My experience of Eudora Welty has been somewhat mixed – I began reading her penultimate novel Losing Battles some years ago – but got totally bogged down in it – I couldn’t finish it. I have kept the book among my green viragos though, so do intend to try again one day. Three years ago I read Delta Wedding, Welty’s second novel – and absolutely loved it. The Optimist’s Daughter was Welty’s final novel first published in 1972 it won the Pulitzer prize in 1973.
The story revolves around Judge McKelva, his middle aged daughter Laurel and his second wife Fay. For many years Judge McKelva has been a familiar and respected figure in the community of Mount Salus, Mississippi. The people looked toward the judge, his gracious wife Becky and their daughter Laurel as nice, well bred people living their lives in a reliable manner.
“The mystery in how little we know of other people is no greater than the mystery of how much, Laurel thought.”
However, when ten years after the death of his first wife, old Judge McKelva marries again – everyone is taken rather aback. Fay is just a little younger than Laurel, a silly, self-absorbed woman from Texas.
As this novel opens Laurel has travelled from her home in Chicago to New Orleans where her father is in hospital – being treated by an old friend who had moved away from Mount Salus. The Judge had contacted Laurel to say he had been having ‘trouble with his seeing’ – and Laurel had felt concerned enough to jump on a plane. Right from the start the reader feels an unspoken tension between Laurel, Fay and Dr Courtland who is treating Judge McKelva. The Judge talks about getting pricked in the eye by the climbing rose that everyone in Mount Salus appears to think of as Becky’s climber. Fay dismisses the whole thing as something and nothing – seeming not to want to share her husband with these others who have such a long history with him. Laurel and Fay must stay in a local hotel while the Judge undergoes a routine operation – and period of recovery.
When the Judge dies suddenly, and unexpectedly the two women are forced to return together to the McKelva house in Mount Salus. Here they are surrounded by a host of friends and neighbours, people with long memories and deep affection for the Judge and his first wife. Laurel a woman who was widowed young, is surrounded by the women she still thinks of as her bridesmaids – the girls she grew up with. Everywhere in this house are memories of the past – things that recall moments of Laurel’s childhood, and the relationship her parents had.
“When Laurel was a child, in this room and in this bed where she lay now, she closed her eyes like this and the rhythmic, nighttime sound of the two beloved reading voices came rising in turn up the stairs every night to reach her. She could hardly fall asleep, she tried to keep awake, for pleasure. She cared for her own books, but she cared more for theirs, which meant their voices. In the lateness of the night, their two voices reading to each other where she could hear them, never letting a silence divide or interrupt them, combined into one unceasing voice and wrapped her around as she listened, as still as if she were asleep. She was sent to sleep under a velvety cloak of words, richly patterned and stitched with gold, straight out of a fairy tale, while they went reading on into her dreams.”
Laurel is numb by the suddenness of death, while Fay is prostrated by the thought that such a thing could happen to her! The house gets filled up with people – those who can’t believe the Judge is gone – for them it is the end of an era, there’s an absence they hadn’t reckoned on. They speak of Becky, Laurel’s mother as if she has only recently gone – and treat Fay with a kind of baffled politeness.
Arrangements for the funeral get underway, with Laurel ably assisted by Missouri – the servant who Judge McKelva had once brought home after Missouri had acted as a witness at court. With Fay having taken to her bed, everything falls to Laurel. On the day of the funeral, Fay’s family, that she had previously denied – turn up, voluble, and slightly boorish – but essentially harmless – they are nicer by far than the sullen, deceitful Fay. After the funeral Fay decides suddenly to return to Texas with her family for a few days, leaving Laurel alone in her former family home.
Everywhere there are little signs to remind Laurel of Fay’s arrival in her father’s life, nail polish on her father’s desk, a bread board she remembered her mother using for years, absolutely ruined. These days alone, give Laurel the chance to come to terms with her past and how she left her father alone. She comes to a better understanding of herself and her parents, and so when Fay returns to claim the house for herself, Laurel is ready to leave with her own memories intact.
This is a beautifully balance, nuanced little novel which I can imagine gets even better with subsequent readings.