The first book I read for this year’s #DDMreadingweek was I’ll Never Be Young Again, DDM’s second published novel. Daphne du Mauier fan though I am, I’m not above recognising that not everything she wrote was of the same standard. This early novel is certainly not a favourite, and I think inferior even to her first novel The Loving Spirit. There is still plenty to enjoy in this novel however, and the reader can easily spot that early promise that would be so brilliantly realised in novels like Rebecca and Jamaica Inn.
The narrative is divided into two main sections, the first in which our narrator Dick develops a friendship with an older man, has some adventures and begins to learn something about himself and the world around him. The second section set mainly in Paris deals with the relationship Dick has with a young woman he meets there.
The world of this novel was a contemporary one to that which DDM was living in, her first novel had been set in the previous century. It is also the first of five novels which would have a male narrator – many of her short stories have male narrators too, something she was able to do very successfully. The writing is good of course, full of atmosphere, rich in description.
“The smell of coffee, white dust, tobacco and burnt bread, flowers with a fragrance of wine, and the crimson fruit, soft and overripe. A girl looking over her bare shoulder, with a flash of a smile, gold ear-rings showing from thick black hair brushed away from her face, long arms, a cigarette between her lips. Night like a great dark blanket, voices murmuring at a street corner, the air warm with tired flowers, and a hum from the sea.”
DDM knew the places she wrote about, having herself visited the Norwegian fjords, while Paris was somewhere she knew very well. The problem for many readers may be that Dick is not a sympathetic character – and I suspect he isn’t meant to be. I am happy to read about an unlikeable character – but something about Dick really got under my skin, and I seriously wanted to give him a shake. DDM was still only twenty-three when she wrote I’ll Never Be Young Again, and we can see something of her own challenges in the character of Dick, especially in his relationship with his father.
As the novel opens and we first meet Dick, he is standing looking out across the London docks, miserable and in despair he is determined to throw himself in. Though only twenty-one he feels life has nothing for him. The son of a famous poet, he feels unloved by his father, who thinks he will never make anything of himself. He is saved at the last moment by a passing stranger, who speaks to him, offering friendship. The stranger is Jake, a man several years older than Dick who has recently been released from prison, thus both men are at a turning point in their lives. The two men form an immediate bond, and decide to set out together, signing on to a rickety old ship they work their passage to Norway.
In company with Jake, Dick becomes accustomed to hard, physical monotonous work, adventure, travel and a host of experiences. He sees places he had never thought to go to, and as he learns more about Jake, he begins to learn something about the world. There are times though when we see Dick as rather selfish, thoughtless and naive – he has much to learn, something Jake understands but Dick himself doesn’t quite see.
“Jake, I don’t want ever to be old. I want always to get up in the morning and feel there’s something grand lying just ahead of me, round the corner, over a hill. I want always to feel that if I stand still, only for a minute, I’m missing something a few yards away. I don’t want ever to find myself thinking: “What’s the use of going across that street?” That’s the end of everything, Jake, when looking for things doesn’t count any more. When you sit back happily in a chair, content with what you’ve got – that’s being old.’ ‘There’s no need to get that way. It’s your own thoughts that keep you young, Dick. And age hasn’t anything to do with it. It’s a question of your state of mind.”
He makes rather a fool of himself with an American woman, part of a group of young wealthy tourists they meet. Each place they go, each experience they have Dick embraces it eagerly with the enthusiasm of a spoilt child. His time with Jake doesn’t last and in time he finds himself alone in Paris.
The old obsession comes upon him, to be a great writer – to show his father that he can write, can be just as successful. He finds a place to live, embracing the bohemian culture of Paris. Here he meets Hesta, a young music student. Poor Hesta really doesn’t deserve Dick, but their relationship lasts for around a year – and the reader senses there will be no happy ending for this pair. Dick throws himself into his writing, after persuading Hesta – against everything she believes in – to live with him – he is quick to take her for granted – to lose sight of what she might want from life, forgetting that she too once had ambitions.
We see Dick return to England, and as we all must, face up to the reality of life and move forwards. All his errors and stupidities behind him, as if they never were. I wondered if perhaps DDM wasn’t making the point that men do that sometimes, sowing their wild oats, having adventures, behaving rather idiotically with no consequences for them afterwards. I couldn’t quite forgive him though. Overall though a very interesting novel that I am glad to have read.
What a title given the age she was when she wrote it!
Well yes, though age and experience are important in this novel.
I have very vague memories of this one, so I’d agree with you that it’s not her strongest piece. But yes… Wild oats…
Well all writers start somewhere, this one still shows real skill.
She certainly never hesitated to put herself in the shoes of a male protagonist. This sounds interesting but I think next year I will read one of the biographies of DduM and see what those writers think made her tick, as I only know her own memoir.
Her family were such a fascinating bunch that a biography would be a good idea.
Good review. I’m struggling with my choices–Loving Spirit or The Glass Blowers. I may bail this year. Scapegoat was my other choice but 13 hours of audio with that story line sounded hard to keep track of it all. Maybe it’s just me right now?
The books will always be there if you’re not in the mood right now.
Her writing is stunning, Ali, definitely – but oh that Richard!!! I wanted to slap him most of the time, and although I sense that she was indeed trying to show a foolish and selfish young man, he was often just too much for me and I do think perhaps she overdid him a bit. But interesting, as you say!
She might have overdone that character a little. Still glad to have read it.
I’m not averse to an unlikeable character or two as long as they feel credible/ring true. Maybe DDM overdid it a little with this Richard chap – but, bearing in mind that this was only her second novel, it’s easily forgiven. I like how clear-eyed you’ve been about the novel’s strengths and weaknesses, even though she’s clearly a favourite writer. A very balanced review, I think.
I think DDM can be forgiven for overdoing it a tad. She still shows her natural ability in this novel . Glad you think I balanced this one, it can be hard when writing this kind of review.
This does sound an interesting read, although a bit uneven. DDM not at her best still sounds hugely impressive!
Yes, still very impressive, and she was still very young when she wrote it.
Ali, I have never heard of this novel before, so thank you for reading and sharing. While I love the sound of the settings, I think I would struggle with the unlikeable protagonist, so won’t rush out to the read this one just yet.
I suspect this isn’t a DDM novel that gets talked about that often.
Even bigger thank you for reading and sharing then, Ali 🎉
This isn’t one of my favourites by du Maurier either, although I still enjoyed it for the beautiful writing and the descriptions of Norway and Paris.
Her descriptions of places are beautiful. She conveys a sense of place so well.
I have not yet read this one, but will at some point. I have just read The King’s General and also here is a male protagonist which is not very likeable. Maybe that is why her books are, mostly, good, since they do describe a variety of characters with the positive and negative features.
Yes I didn’t like that character much in The King’s General either, but he is at least an interesting rounded character.
That is true.
An interesting one perhaps for the completist. BTW I remember commenting on both of these when I re-read them: I wonder if I was whizzing through blog posts too quickly and my comments got sent to spam. My comments on other blogs disappear quite a lot. Anyway, caught up now!
Don’t worry, you didn’t need to go back. How weird that your comment might have gone into spam, I haven’t had that happen in a long time. I will keep an eye on that.