My third read for this year’s #MARM was MaddAddam the final book in the trilogy of the same name. I have spaced out the three volumes quite widely – so I was pleased to see a little rounding up of the main points of each of the first two books in the front of this. It helped to refresh my memory a bit – although I have to say Year of the Flood has really stayed with me and remains my favourite of the three books.
While the events in Oryx and Crake and Year of the Flood run parallel to each other – MaddAddam moves the story of characters like Jimmy, Toby and Zeb forward.
It’s really hard to review the final book in a trilogy that other people may not have read – as a whole it’s a trilogy that is extraordinary in its scope and imagination. Saying that though – in her acknowledgements Margaret Atwood states that…
“Although MaddAddam is a work of fiction, it does not include any technologies or biobeings that do not already exist, are not under construction, or are not possible in theory.”
I think that gives us much food for thought – Margaret Atwood is often lauded for her astute, keen eyed view of the world – she seems to have her finger on the pulse of the world and its myriad issues. In this trilogy – she shows us how we could end up – reminding us, should we need it – what destruction we have wrought on our planet.
The ‘waterless flood’ (a plague) has swept the earth – there are a few ragged human survivors – and the children of Crake – the perfect, innocent species he created to take the place of human beings. Jimmy (or Snowman) befriended the Crakers – telling them stories of Oryx and Crake. Meanwhile, Toby, Adam One and the God’s Gardeners who we met in The Year of the Flood were scattered by the plague – prey to the evil Painballers – who attack, abuse, kill and rape with impunity. The Year of the Flood ends with Amanda being rescued from the Painballers and Toby observing the Gardener forgiveness feast. This novel picks up exactly where that one ends.
The Children of Crake move toward the group of human survivors, singing their endless song. The Painballers are tied up, but Toby hesitates to kill – and they escape – to pretty much everyone’s dismay. For me Toby is a recognisable Atwood heroine – she cares for others, has a powerful connection to the natural world, feeling things deeply – she harbours a secret love for Zeb and is jealous of one of the younger women who she thinks might cast her eye at Zeb. As Toby and the MaddAddamites settle themselves into the cob-house enclave – the Children of Crake – settle themselves nearby. Jimmy-the-snowman is in a Coma and the Crakers await his recovery by finding a new hero in Zeb.
“There’s the story, then there’s the real story, then there’s the story of how the story came to be told. Then there’s what you leave out of the story. Which is part of the story too.”
Toby starts to tell stories – stories of the world before – the chaos – and stories that will help move this new world forward. The Crakers – are innocents – they love the stories Toby tells – they ask questions continually – like children – why, how – tell it again. One of the most attentive listeners is Blackbeard a young Craker – keen to learn it’s to him that Toby reveals the secret of writing when he catches her writing in her journal.
“It had helped to keep her sane, that writing. Then, when time had begun again and real people had entered it, she’d abandoned it here. Now it’s a whisper from the past.”
Through Toby’s stories – we finally learn about Zeb and Adam and how they came to the God’s Gardeners. Zeb tells the stories to Toby and Toby relates them to the Crakers in a way they can understand. Atwood has always been a wonderful weaver of tales – stories within stories.
However, this new world is a difficult often hostile place. As the clever, wild pigoons attack the precious garden that Toby and the others tend with care – and with the lingering threat of the Painballers return – it’s clear that this small band of survivors will need much more than mere stories.
“Glenn used to say the reason you can’t really imagine yourself being dead was that as soon as you say, “I’ll be dead,” you’ve said the word I, and so you’re still alive inside the sentence. And that’s how people got the idea of immortality of the soul – it was a consequence of grammar. And so was God, because as soon as there’s a past tense, there has to be a past before the past, and you keep going back in time until you get to I don’t know, and that’s what God is. It’s what you don’t know – the dark, the hidden, the underside of the visible, and all because we have grammar …”
I hope it isn’t too much of a spoiler to say that there isn’t a big cymbals crashing kind of finale to this book – which I found especially fitting. There is a sense of things carrying on in this new world that humans have created – which for me was a little more comforting than a big drama. That said – there is a poignancy to the ending too for those of us who have followed certain characters through three instalments. There is also hope – which as a species we are clearly in need of.
It’s so hard to review the last in a trilogy and I think this works! I’m glad she includes a little summary in the front. I think Matthew has read these, though I know he tired of the hymns, not so easy to skip in the audiobook version!
Yes I can imagine that might get wearisome. So glad I finally got around to this one.
Loved the review, as always; as you said, so difficult to review the last book in a series but you’ve done a great job. I’m a huge fan of Atwood’s dystopian fiction, precisely for the reasons you point out — she’s such a keen observer of our present day world, with a finger placed firmly on its pulse (and, of course, there’s that wry humor) Like the Handmaid’s Tale, there’s nothing in the MaddAddam trilogy that isn’t present in some form or fashion in our own reality, which is what makes these works so frightening (and fascinating). Like you, I’ve read the trilogy over a wide space of time, so much of the interconnections weren’t as vivid for me as they should have been. I’ve been thinking for some time of re-reading the three — maybe next year I’ll get around to it!
Absolutely, that everything in her world is possible or exists in some way in our world fascinates me and worries me. Hope you enjoy your re-read if you decide to do it.
I’m having to skim your review because I haven’t read these books yet and I do want to – and I know my Eldest Child has read some and rates it. One day…. A fitting final read for MARM though!
Ooh I will be very interested in your thoughts on this trilogy. I think you will find it fascinating.
For me, nothing will beat the shock value of reading Oryx and Crake for the first time. It was so wild. But I appreciate the whole trilogy too. Jimmy is one of those fictional characters that I “miss” – yes, I know I can just reread the books 🙂 Great review!
Thank you, Atwood does create great characters, I had a soft spot for Jimmy too.
Although, like you, my favourite of the three is Year of the Flood, I absolutely loved the humour in MaddAddam. This trilogy really highlighted for me how amazingly creative MA’s mind is. I’d love to spend a couple of hours inside her head!
Thanks for joining in! It’s been so much fun reading all your MARM posts!
She is so creative, and I enjoyed the humour in this one too.
[…] Ali managed to get in one more book, just under the wire: MaddAddam […]
YotF is my favourite too. After that, I think I like trilogy as a whole, the way she knits them together and how each of them works with/against the other. Then, i couldn’t choose between O&C and this one you’ve just finished, because O&C has the delight of being first and then Maddaddam has the clout of being last. But maybe all of that would change with a reread. Are you at all curious about the TV production of the series?
I am very curious about the TV production. I have certain images clear in my mind and I wonder how close to my imagination the TV series will be.
My husband and I both liked the audiobook of Oryx and Crake. For some reason, we’ve not read or listened to the other 2 in the trilogy. I think we should.
Oh yes do, I definitely recommend them.