
Translated from the Swedish by Thomas Teal
The Listener was Tove Jansson’s first collection of stories for adults. A recent read for #witmonth it proved a good choice for a period when I was in a very strange reading mood. Jansson’s clear, crisp prose, clear vision and her delicate philosophy was a delight to dip in and out of.
I came to Tove Jansson quite late – the Moomins completely passed me by as a child – and I only ever heard of Tove Jansson as an adult. I adored The Summer Book and A Winter Book, and I fully intend to explore more of her work – and while I enjoyed The Listener a lot I didn’t think it was quite at the standard of those other two. One story in this collection – The Squirrel is also in A Winter Book – as it was one of my favourites from that collection, it was lovely to encounter it again.
There are eighteen pieces in this collection – which only runs to 157 pages, so some of these stories really are very, very short indeed, and so rather difficult to write about. I shall attempt therefore to just give a slight flavour of the collection – but I certainly feel as if there is a limit to what I can write about this one.
Jansson’s stories portray a city ravaged by storms, the beauty of the start of spring, childhood, old age and love. There is some quite lovely imagery here – and as ever her prose is a simple joy. Characters are introspective, thoughtful, and philosophical. A couple of stories veer towards the supernatural, but with a delicacy that never strays too far from reality. Artists feature prominently, as does light and scenery – Jansson’s descriptions are always spot on.
“In this naked light, all of winter’s traces are visible not least in a face. Everything becomes distinct and turns outwards, exposed, penetrated by the light. People come out of their holes. Perhaps they’ve survived the winter in flocks or maybe alone, willy-nilly, but now they appear and make their way to the harbour, the way they always do.”
(In Spring)
The Collection opens with the title story. Aunt Gerda is a good listener, but old age is impacting on her memory, she fears what this might mean for her. Her solution to her forgetfulness is to create a unique artwork that will record the secrets that have been confided in her, but while it preserves these secrets it will also betray them.
“It seemed to her the window was a great eye looking out over the city and the harbour and a strip of the gulf under ice. The new silence and emptiness was not entirely a loss; it was something of a relief. Aunt Gerda felt like a balloon, untied, soaring off its own way. But, she thought, it’s a balloon that’s bouncing against the ceiling and can’t get free.
She understood that this was no way to live; human beings are not built to float. She needed an earthly anchor of meaning and care so she didn’t get lost in the confusion.”(The Listener)
In The Birthday Party – two sisters throw a birthday party for their young niece – inviting a number of local children to their home. The niece herself doesn’t arrive – and the bemused aunts, clearly unused to children – or how to behave around them – try desperately to keep the party going. The way Jansson portrays these clueless women, so out of their depth is just brilliant.
“‘Come in,” said Miss Häger. “Please, go right on into the sitting room, where there’s room for everyone. Don’t stand in the doorway, go right on in …” The children went into the sitting room. She clapped her hands and cried, “Now you can start to play! What game would you like to play?” They stared at her without answering. Vera Häger went out into the kitchen and said, “You’ve got to come, right now, right away. It’s not working.”
Her sister lifted the platter with the decorated ice cream and said, “What do you mean? What’s not working?”
“The party. They’re just standing around. I don’t think they like me. And Daniela hasn’t come.’”(The Birthday Party)
Black-White – is one of the longest pieces – and one of those I liked the most. It is a homage to the artist Edward Gorey. The artist in the story is an illustrator – married to Stella, they live in the house she designed. The artist is working on a collection of fifteen black and white illustrations for a book – he is inspired to use darkness in the illustrations – yet all around him in the house where they live there is just too much light. Stella suggests that he use her aunt’s old house which is standing empty in which to work. The artist packs up this things and goes to the house, where he will be alone.
In Letters To An Idol a woman writes often to an author who she admires. In time, he actually writes back – and soon after that they meet. A story which demonstrates perfectly that meeting those we admire can be problematic.
In The Wolf an elderly woman meets a Japanese man Mr Shimomura who is an illustrator for children – he specialises in drawing animals. He has asked to see some dangerous animals; he draws a wolf to demonstrate what he would like to see. So, despite the cold, and her advancing years, the woman accompanies him to a zoo – to show him a real wolf.
I mentioned The Squirrel above – the story I read before – it is still a thoroughly beautiful piece of writing, so delicately observed. An old woman living in a small house on an island, looks out of her window one day and sees a squirrel. She muses about how it came to be on the island, probably drifting over on the driftwood that washes up on the shore. Her life becomes oddly caught up with that of this little creature – her fascination in it increases. The squirrel affecting her quiet, ordered little existence on the island in unexpected ways.
The Listener is beautiful little collection of stories, Jansson’s prose is the star of the show – and I am reminded once more how I really must explore more of her work.

Lovely review, Ali. I particularly like the sound of the title story and The Squirrel. Adding it to my list.
Both those stories are really good. Glad you like the sound of it.
Hello from Vancouver, Canada. I have been following your blog ever sense Liz Humphrey recommended your great posts. I have been a non-fiction reader for many years and I am delighted that I can catch up on all the wonderful fiction writers. Thank you!!
My pleasure, thank you for popping by. I have to admit that I don’t read much non fiction.
What I love best about books and writers whether fiction and non-fiction – they tell our story. My sister was into fiction for years, she in now into non-fiction. And now it’s fiction for me. Oh, the twists and turns for life. You have a brilliant blog – enjoy stopping by for a visit.
Thank you. I hope you enjoy exploring more fiction. It’s definitely the stories that make us pick up the next book.
Lovely post Ali. This is one of only a couple of Tove books I have unread – and I do love her short stories so I need to get to this sooner rather than later! 😀
She is very good at the short firm, and some of these are very short. In just a couple of pages though she can really set a scene.
I do love how Tove Jansson’s artist’s eye saw and then described the world and you’ve picked out beautiful quotes. That bit about “…an earthly anchor of meaning…” just leaps out at me right now.
Artists are so important in this collection,her descriptions of light are so beautiful. Glad you like the quotes.
Beautiful review, Ali. Your expression of a ‘delicate philosophy’ is a great way of expressing the nature of Jansson’s thoughtful style. I particularly like the sound of The Squirrel with the elderly lady quietly reflecting on her her life as she watches the animal. And The Birthday Party sounds terrific too – I can see that from the quote you’ve included!
Thank you, The Squirrel is such a touching story, it was a pleasure to read it for a second time.
Like you I’ve come to Jansson late but now I’ve discovered her I’m eager to read more. Introspective, thoughtful and philosophical is a very good description, I think as others have said it’s her artists eye that makes her writing so vivid, this one’s definitely for the list!
Her artists eye is clear throughout her writing (those I have read so far) but her philosophy is gentle and accessible too which I really like.
My sights are set on TJ after finishing the Ritter – I love the sound of this one.
Oh yes good choice, I hope you enjoy it.
Like you I love Jansson’s thoughtful style. I’ve not read this though, it sounds beautiful but its interesting you say its not a strong as The Winter Book, I’ll bear that in mind.
It’s still definitely worth reading, but I would start with A Winter Book if you can. I thought that was beautiful.
That sounds an interesting collection. She has a quiet strength which I know people love. I’ve done my WITmonth read and have my review ready to go tomorrow.
Yes, a quiet strength is a good description. I have enjoyed my #Witmonth reading this year.
What a lovely review! I adore Jansson, and it was a delight to revisit this collection in your review.
Thank you, she was a lovely writer.
How I do love finding a favourite story from one collection in another collection. It’s like an invitation to settle in!
Yes it is, what a lovely way to think of it.