
It is difficult to properly convey what it is like to read a Barbara Comyns novel to someone who hasn’t read her before, though I suspect many of you will have read her before. Her easy, straightforward style may seem to have a blasé innocence but there is a lot more going on. Combining matters of middle class domestic poverty – something present in all her fiction – with the unpleasant, cruel, and even macabre at times, she presents her readers with a world which feels slightly skewed, though completely recognisable. The Skin Chairs in the eighth of Comyns’ eleven novels I have read – I have one more tbr – and there are two that I may have to give up ever finding, so rare do they appear to be. It is classic Comyns, the sixth of her novels to be published.
Frances is the first person narrator of The Skin Chairs, and the novel opens shortly after her tenth birthday. Frances is one of six children and she has been sent to stay with her Lawrence relations for a few weeks while her tired mother has a rest. Soon after her arrival, Frances’ father dies suddenly, plunging the family into quite serious penury. Aunt and Uncle Lawrence are well off, horsey and horribly patronising. Aunt Lawrence is especially rather bullying, and the sensitive Frances frequently finds herself in the wrong. Her cousins: Charles, Ruby and Grace are clearly products of their upbringing, Grace the closest to Frances in age is who Frances spends the most time, but she is capable of childish spite that leaves Frances in tears.
Frances’ mother is obliged to give up the beloved family home and is strongly encouraged by the Lawrences to take a much smaller house nearby called The Hollies. They can’t afford a maid, and so Frances’s older sister Polly undertakes much of the domestic work – seeming more capable and organised than their mother, who is distressed by their new circumstances, rather weak and easily cowed by the likes of Aunt Lawrence. The family are required to spend Sunday lunches with the Lawrences – well just a couple of them are asked each week, a lottery none of them wish to win. Frances’ siblings Esme and John come home from boarding school – new day schools will be attended by them instead. The youngest two are Clare – born with one hand, and Toby.
“One night I dreamt that Mother’s head had been severed and made into a pork pie. Although it was pork pie, I could still see it was a dead head. There was another fearful dream that Father was floating down the canal, all enlarged with water, and that eels were living in him.”
As I said Frances is a sensitive child, beset by disturbing dreams and very observant of the people around her. In the company of her cousin Ruby, Frances meets Vanda, a beautiful young widow with a baby called Jane. The story of Vanda and baby Jane is a typically horrifying Comyns tale. Frances is smitten by the baby, her maternal instincts roused by a child the reader instantly knows is horribly neglected. Frances ranges quite freely around the village and the local area, meeting a host of colourful characters.
It is also with Ruby that Frances is taken to the house where the General lives. A house known primarily for the skin chairs, a set of chairs covered in human skin, poor Frances is horrified and fascinated by these chairs, wondering what happened to the souls of the men whose skin adorns them.
“One chair certainly was lighter than the rest and I carefully sat on it, expecting something strange to happen; but it was exactly like sitting in any other uncomfortable chair. My bare arms touched the back and, remembering what it was made of, I stood up and wiped my arms with my handkerchief. With a feeling of awe I gazed at the chairs thinking of the poor skinless bodies buried somewhere in Africa. Did they ever come to see what had happened to their skins or had they forgotten all about them?”
Frances makes herself a little hide away in an abandoned barn – her own home away from home. The idea of home is clearly something important to Frances. She tries with limited success to keep out of the way of the very odd Mrs Alexander who has taken a liking to Frances. Mrs Alexander drives around in a very conspicuous yellow sports car and keeps pet monkeys – and is generally considered very odd by the villagers. Another new arrival in the village is Mr Blackwell – another individual the Lawrences definitely disapprove of – but who heralds some change for Frances’s family.
This wonderfully quirky Comyns novel that describes an adult world through a child’s eyes is full of odd and surprising images. It joins The Juniper Tree and The Vet’s Daughter in my top three Comyns novels.
I’m so delighted that you were able to track down a copy of this – vintage Comyns indeed. Her use of imagery is so striking here, and that pork pie quote sums it up to a T. Wonderful review, Ali!
Yes, only Comyns could have come up with that I think. So glad I found this copy finally.
There seem sto be so much love out there for Comyns’ work that perhaps a small publisher might be persuaded to investigate reissuing the two you mention. Handheld Press springs to mind.
Those two are I suspect less well thought of, Turnpike books are bringing out two later in the year, and Virago re-issued three a couple of years ago and NYRB re-issued The Juniper Tree.
I just remember the horror of the chairs from this one, which I own but haven’t re-read for decades!
The Skin Chairs are quite horrific, the kind of thing only someone like Comyns could dream up.
Well you say that, but in Verity’s off topic posts of the day in response to her question of what was your oddest experience at work, a librarian said someone coming into her library to look at the book bound in the skin of their ancestor!!!
Oh my goodness.
Great review! I love this one too – maybe my second favourite after Who Was Changed. I have been debating with suggesting some Comyns for the British Library series, and I think this one could be good – if the public wouldn’t be too squeamish!
I’m assuming one of the scarce ones is Birds in Tiny Cages? I’ve read it and it is rather worse than her others, sadly, though obviously still good to read.
I think Comyns would be great for the British Library, the trouble is some are in print with Virago and NYRB and Turnpike are bringing out two (Mr Fox and House of Dolls) later this year. So this and A Touch of Mistletoe might be good suggestions.
I was going to suggest dropping a hint to Simon about Comyns for the BL series but I see he’s already on it! I’ve only read one of hers and I’d like to read more, it would be great if they were more readily available. This sounds deeply odd but in a wonderful way.
Well 3 are still in print with Virago and NYRB re-issued one a couple of years ago. Also Turnpike are bringing out two of her less well known novels later in the year.
I love books for adults narrated by children. Thanks for your review.
Oh yes, I really love child narrators.
I must have known this previously, and perhaps buried (re-buried) the idea, but I would have liked to have carried on with the idea that this title was metaphorical in nature. (She’s one of my MRE authors, so I will hope to get to this one. And I’ll also hope that, in time, I re-forget that the chairs are actually made from people’s skins. And, yes, I’m just as troubled by chairs covered in the skins of other animals, not only two-legged ones.) GL locating your last two Comyns books!
The skin thing is horrifying indeed. Comyns worid is often macabre. It will be a challenge finding those final two.
Lovely post Ali. Comyns was a real one-off, wasn’t she? It would be nice to see a coherent set of reissues from one publisher though I’m rather fond of my lovely Viragos.
Yes, I have been thinking exactly the same the last few days. Why can’t just one publisher bring out the whole lot?
I HAVE read Barbara Comyns, and much appreciate her work. This, however, seems to be off the scale. Human skin?
I expect she has good reason for this macabre note, and I do trust her despite her rather bizarre themes. If I find a copy I’ll give it a go. Thanks for these thoughts. Caroline
To be honest I am not sure what her reasons might be though I think she liked to highlight the odd absurdities in people. I loved it though and would recommend it.