
Joint winner of the 2019 Booker prize just over a week ago, Girl, Woman, Other is the eighth novel by Bernardine Evaristo. I am pleased to see – if social media is anything to go by – that lots more people are buying and reading her books than had been previously. I am one of them, although I did already own this book when it was awarded the prize. I had bought it in the summer having seen it on Twitter – the stunning cover art, along with the title first got my attention, the premise sealed the deal. Then, when it came to it, I wasn’t in the mood to read it. In the end I began reading it the day after it won The Booker. I am so glad I saved it – I absolutely loved it. I am now more than ready to read more novels by Bernardine Evaristo, especially Mr Loverman – which I just love the sound of.
I know so many people are reading this novel at the moment – so, I am doing my best to avoid spoilers.
A novel of modern Britain and some of the women who make it – their voices ring out clear and strong from every page. Twelve wonderful humans, mainly women, mainly black, scattered across the UK in town and country, who call this nation home. The author weaves their stories together in a way that produces a glorious feeling of connectedness, some characters are connected slightly – other connections are more significant. Through these characters, we see everything we are as a country and all that we have been.
Here are stories of family, friendship, ambition and achievement, sexuality and gender. There are five longish chapters – each chapter introducing us to three of the twelve key characters. They represent many of the people who make up Britain today, from a variety of backgrounds they carry their different experiences with them.
The novel opens with Amma, a woman who has come a long way since her squat sharing days in the 1980s, now she has a play opening at the National, she’s made it. She can’t help but look back at the days when she was preparing to smash the patriarchy, she took no prisoners, and had many lesbian lovers.
“Amma then spent decades on the fringe, a renegade lobbing hand grenades at the establishment that excluded her”
until the mainstream began to absorb what was once radical and she found herself hopeful of joining it”
Her daughter Yazz is fast becoming a young woman, she’ll be heading off to make her way in the world soon. We meet Dominique – a friend of Amma’s from those old days when they were experimenting with new feminist theatre. Dominique has spent years in America but couldn’t miss Amma’s big night.
Past and present merge in the stories that follow, in 1905 Newcastle, ten year old Grace is an orphan, placed in a home. She remembers the stories that her mother told of the enigmatic Abyssinian who was her father – a man she will never meet.
“it took a long time for Grace to stop hoping Ma might turn up and even longer before she stopped feeling her as a warmth spreading in her stomach whenever she thought of her
longer still for her features to fade
at night she began to dream of her Pa
who’d come back to rescue her
and take her to paradise”
She longs to work in the smart department stores – who when she is older refuse to hire her.
In the 1950s Winsome arrived from Barbados, met and married and followed her young fisherman husband to Cornwall. She realises right away that Cornwall aren’t ready for them – and is afraid her husband has made a big mistake, and perhaps she did too.
Carole made it to Oxford university from her Peckham comprehensive school while her mother worked as a cleaner.
“…Bummi dragged herself out of bed
to join her tribe of bleary-eyed workers who emerged into the dimmed streetlights of her new city to clamber aboard the red double-decker buses that ploughed the empty streets
she sat in sleepy silence with others who had hoped for a better life in this country, huddled in her eiderdown jacket in winter, her feet in padded boots, longing to sleep, afraid to miss the stop for the office building where she scraped away hardened faecal matter in toilet bowls and disinfected everything that came into contact with human waste”
In Northumberland, Morgan; who used to be Megan visits Hattie, who despite being in her nineties remains in the farmhouse where she has lived so long. She remembers when she was young and strong but is determined to retain her independence, she still misses her husband Slim every day. Morgan; has left the city behind and embraced the countryside, they have a million Twitter followers.
Evaristo writes in an experimental style in which sentences are not marked in the usual way with a capital letter and full stop but with line breaks allowing her prose to feel poetry like at times. The entire novel is very readable. A wonderfully polyphonic novel that speaks strongly of modern Britain. It is of course, a very worthy Booker winner.
Fabulous review, Ali. You’ve done a brilliant job in capturing the spirit and ‘feel’ of this novel without revealing any spoilers. I love the vibrancy of the voices and the way Evaristo goes beyond the traditional stereotypes we tend to see in other cultural media. As you say, it definitely feels like a novel for our times.
Thank you, yes it is so vibrant. Very much a book of modern Britain as it really is.
Lovely review, Ali. It is, of course, on my list but if it wasn’t it would be now. Mr Loverman is a treat.
Glad to hear you rate Mr Loverman, I shall have to get a copy.
Great review Ali. Love the sound of the experimental style, and I remember reading great reviews of Mr. Loverman when it came out. Obviously she deserved the Booker! 😀
I’m surprised how much I enjoyed the writing style actually, because experimental styles can put me off. Certainly not this time, it works beautifully.
This does sound good, and no spoilers!
Yes, an excellent read. Sometimes it is hard not to get carried away when writing reviews.
I really want to read this one. It seems to be amazing. And I hate the split with the Booker Prize and really want to support this particular winner, for a number of reasons. Anyways, thanks for this great review!
Yes the split was silly. I sense Atwood was embarrassed by it. I am so glad people are getting behind the author and supporting her. I really hope you enjoy this when you come to read it.
I got a copy from the library when this was longlisted for the prize but just couldn’t get to read it in time – and then found there was a long list of other people waiting for it. So I never got my second chance. Now I suspect I would be in an even bigger queue. Oh well it’s in paperback unlike most Booker winners so I have no real excuse…..
Ooh well I might be wrong but I didn’t think it was in paperback yet. My copy is a hardback but I bought it about 3 months ago. I hope you enjoy it when you do get a chance to read it.
Really good review here, Ali. Thanks. It sounds like a fab read!
It was, glad you like the sound of it.
The no caps/no period thing is odd, but I’m glad to hear it is worth it. I’ve had it in my list for a while.
Yes it is worth it, and she still uses caps for proper nouns. And in fact each chapter ends with a full stop.
Ok–that’s better!
I hope to get to read this book sooner rather than later. I too loved Mr Loverman – in fact I loved it so much it was my book of the year when it came out.
I look forward to your thoughts on this Annabel, glad to hear you thought so highly of Mr Loverman.
I love it when I’m captured by a writer whose style is experimental and it makes me rethink my resistance to that overall. After all, I don’t like all writers’ works whose styles are more traditional…I don’t know why it ever occurred to me that I should group all “experimental style” writers together and determine whether I like or dislike them ALL. *laughs* And, yet, I still catch myself thinking that! So glad to hear that you enjoyed this such a lot!
Oh yes I think you’re right. I like writers who play with language more than with style usually. However, here I think the style adds something to the narrative. I enjoyed Ali Smith’s Autumn and Winter novels, she is often experimental I think, which put me off her for years, however I think some of her novels I wouldn’t get on with so well.
Lovely review, you really capture the feeling of it. I’ve managed to produce my review now though I’m not sure I’ve done it justice. I can’t wait to read Mr Loverman now, having bought it on holiday!
Thank you, such a good novel. Off to read your review now.
The subject matter makes the novel sound interesting enough, plus the accolades of the Booker, but the quotation you used has clinched it; I definitely want to read this. What beautiful writing!
So glad you like the quotations. Hope you enjoy it.
[…] Girl, Woman, Other (2019) by Bernardine Evaristo was my standout book of the month. A worthy booker winner – I found it compulsively readable, a novel of modern Britain and some of the women who make it – their voices ring out clear and strong from every page. Twelve wonderful humans, mainly women, mainly black, scattered across the UK in town and country, who call this nation home. […]
[…] for my January reading at all. I am going with mood. My book group will be reading and discussing Girl, Woman Other by Bernardine Evaristo, which of course I have already read, and which made it onto my books of the […]
[…] HeavenAli reviewed Girl, Woman, Other on her blog in October last year. You can find her review here. […]