Translated from German by Margot Bettauer Dembo
The most powerful and important accounts of people living under terrifying regimes are undoubtedly those written during the times they depict – whether they be fictional or non-fictional accounts. The Seventh Cross is such a novel – written in France after the author had fled Nazi Germany, it was finally published in 1942, after the author and her family had had to flee the Nazis again. Despite being a novel, this must surely still be an important historical document. It also happens to be a hugely compelling read. Virago’s re-issue of this German classic feels to me like a timely warning from time – showing us how easy the lure of fascism was for some.
It depicts the insidious rise of a regime, the daily realities for ordinary people. Fear is unspoken and tangible, and people disappear and then reappear – and everyone is living by new rules. Criminals of the regime – communists for a start have already started to be rounded up, what this novel shows is that local people would have been aware of the camps, made uneasy by them perhaps – though ignorant of the true horrors.
It is a few years after Hitler has taken power in Germany (I assumed 1936/7 due to the mention of unrest in Spain) and seven men escape from Westhofen concentration camp.
“Probably no trees ever cut down in our country were as unique, as strange as the seven plane trees growing at the gable end of Barracks III. Their crowns, for a reason to be revealed at a later time, had previously been cut off and a board had been nailed across each of the tree trunks at shoulder height. From afar they looked like seven crosses.”
It is a disgrace to the camp officers for such a thing to happen. Fahrenberg, the camp commandant is under intense pressure – he vows that all the men will be caught within seven days. Interestingly, Seghars portrays him – increasingly throughout the novel – as man losing his grip – he loses sleep, becomes obsessed with the men’s capture, he knows his days in charge are numbered.
Six of the men are captured quite quickly, and made examples of, cruelly and with evil relish by the camp officers. However, the seventh man George Heisler manages to slip through the net, crawling on his belly through mud, stealing clothes, hiding in churches, the desperate man feels his pursuers are only ever a few steps behind.
“An uncontrollable wish, stronger than any fear, or hunger and thirst, and stronger than the damned thumping in his hand, which had long ago bled through the rag: to just keep lying there – after all, night would come soon. And the fog was already providing him with cover; the sun was just a pale disc behind the haze covering his face. They wouldn’t be searching for him here during the night. He’s have some peace.”
George is a changed man, just a few years ago he was a handsome, confident man, a bit selfish, he didn’t always treat his friends well. He had let down a friend he had been living with, left his wife had taken up with another girl – one of many we get the impression. People from his old life would barely recognise George now, the years in a concentration camp have taken their toll, he is already looking a lot older. He is less certain of himself now, less assured, he carries the calming words of fellow camp mate and escapee Wallau with him on his perilous journey. Who – if anyone, can George trust? Unknown to George the years have changed those close to him too – his brother is now an SS officer; a former lover turns him from her door in terror. Despite his flaws, maybe in some way because of them, George is a wholly sympathetic character, I was rather glad he wasn’t some kind of two-dimensional angel. We can all sympathise with someone hurt, hunted alone and afraid.
Rumours of the escape are murmured by the people living within sound of the camp’s sirens, soon the escape is being talked about on the radio. George’s former in-laws are worried about what it will mean for them. His ex-wife is certain he won’t turn up there – but both she and her father an ageing paper hanger, are taken in for questioning, and watched closely after their release.
Injured, desperate and with time running out, George slowly makes his way back to the town where he used to live – in the hope that his old friends and contacts help him get away. Meanwhile for the officers of the Nazi regime capturing the last man becomes a matter of pride.
Told from a variety of perspectives – Seghers paints a picture of a country held in the grip of terrible times, but where not everyone is happy to bow to the fear instilled by the Gestapo. We meet extraordinary people, who know full well what helping someone like George might mean – but who look the danger full in the face.
“Only once in her life had Liesel ever had anything to do with the police. At the time, she was a child, ten or eleven years old. One of her brothers had got into trouble; maybe it was the one who later died in the war, for there was never any mention of it in the family afterwards. It had been buried with him in Flanders. But the fear they had all struggled with back then was still in Liesel’s blood today. A fear that had nothing to do with a bad conscience; it was a poor people’s fear, a chicken’s fear under a hawk, a fear of being persecuted by the state. An ancient fear that better defines to whom the state belongs than any constitutions or history books. But now Liesel resolved to fight tooth and claw to protect her family, with cunning and deceit.”
This was a fascinating, compelling read for #WITmonth – which has put Anna Seghers firmly on my radar – I really must read more of her work soon.
To say this sounds like a powerful work feels like something of an understatement. All credit to Virago for bringing it back into print. If you are interested in reading more by Seghers, I can highly recommend her novel ‘Transit’ set largely in the city of Marseille during the occupation of France. It’s a haunting story with questions of destiny and shifting identities at its heart.
Oh yes, Transit is already on my wishlist, definitely a book I want to read.
Goodness me. I find books written and published during the war moving anyway: this does indeed sound like an important documentation of that time – and unfortunately relevant for these times, too.
Unfortunately yes, I do think it is rather relevant today. That saddens me so much.
This is a new one to me – hadn’t heard of the book or author before I read your review but given both the fact that I find this an engaging period and given the parallels between then and now with the rise of the populist right wing here, in the US and in Europe, I’ll make a point of reading this.
I will look out for your thoughts Col, I think it is a book which will resonate with people at any time. Particularly now, though I am afraid to say.
As others have said this sounds like a timely reminder of the evils of ultra-nationalism. That cover doesn’t look like a Virago: I still miss their arty ones with the green spines.
This one is published by Virago but is not styled as a Virago Modern Classic, which are the ones with green spines. Currently this new edition is in hardback.
There’s a spate of contemporary fiction exploring populism – Melissa Harrison’s All Among the Barley is probably the best I’ve read so far – but I think you’re right: the most powerful are those which show us where these dangerous paths lead.
I really want to read that Melissa Harrison, I think it was on your blog I first heard about it. I think knowing what came aster this was written does add a certain piquancy.
I haven’t heard of this book or author and I am very interesting in finding and reading it. Thank you for your compelling review.
I really hope you are able to find a copy Grier.
Great review Ali. I’ve read her book “Transit”, about attempting to escape from occupied France, and it’s just as powerful. Needless to say, I’m keen to read this one too!
Thanks, I definitely want to read Transit. I can imagine it will be very powerful too.
Because Anna Seghers chose to live in the GDR after the war, she was one of the writers that we got to read quite a bit of in our German classes at school in Romania. Not that this diminishes her achievements in any way – and she wrote little in the late 1970s and 1980s, when everyone was losing their idealism in Eastern Europe.
I suppose the GDR would have appealed to her due to her communist leanings. Her story itself is an interesting one.
Great review, Ali! I loved Transit, and The Seventh Cross is on my radar. 🙂
Thank you, hope you enjoy it.
This sounds a formidable work Ali. Sadly, I feel its a timely reissue from Virago. As these events fall out of living memory, it seems we need reminding how these regimes take hold. I’ll definitely be reading this – thanks for putting it on my radar!
I think these historic reminders are important. I hope you enjoy it when you get to it.
I have Transit which I’ve never read but this sounds very good. I just ordered it from the library.
Ooh excellent, really hope you let me know what you think of it.
Excellent review. I need to re-read this one.
Thank you.
The idea of multiple perspectives is a favourite means for telling a story anyway, for me, but in this case it seems particularly important. How encouraging that you sampled her with this event in mind and have now discovered a new writer for your list (and titles in mind already, too, by the sounds of it).
Yes, I enjoy stories using that multiple perspective device. This is definitely an important novel.
[…] The Seventh Cross by Anna Seghers is a novel about a man who escapes from a concentration camp in Germany in the late 1930s. However, it is also about a lot more than that, showing us exactly what life in Germany was like for ordinary people. It seems timely indeed that this German classic has been reissued now. […]