The first of three books from the end of 2017 I still have to review – please bear with me while I catch up with myself.
I don’t read much non-fiction, I think that much is quite apparent, but Long Live Great Bardfield is the kind of non-fiction book I am most likely to read. An autobiography written in a very accessible chatty style, depicting the lives of writers (or in this case artists) living in the first half of the last century.
I’ll be honest, I didn’t know the name Tirzah Garwood (though I certainly recognised her work) until Persephone books brought out this title last year. I had vaguely heard the name Eric Ravilious but couldn’t have told you anything about him, nor had I heard of the Great Bardfield artists colony. However, if you haven’t heard the name Tirzah Garwood, and you’re a Persephone fan, who has been enjoying the Persephone Quarterlies and now Biannually, you will, as I did, recognise her work. Many of the illustrations used in the Persephone magazine over several years are from the work of Tirzah Garwood. How fitting that they are now publishing her autobiography.
So, with the Christmas holidays giving me plenty of reading time – I settled in with this almost five-hundred-page autobiography and entered into the bohemian world of Tirzah Garwood and Eric Ravilious.
Born into a family of five children, Tirzah (born Eileen Lucy – Tirzah was a nickname) and her siblings were obliged to move around quite a bit with their parents. Living in Glasgow, Croydon and Eastbourne Tirzah seems to have been surrounded by a lively, loving family who supported her artistic abilities.
When she was eighteen, Tirzah went to art college in Eastbourne, where she was taught by Eric Ravilious. Over the next few years, Tirzah produced dozens of remarkable woodcuts, many of which were highly praised and displayed at the Society of wood engravers. The work she has left behind her, is I think beautiful, so intricate, yet so bold.
“I had sent some of my wood engravings to the exhibition of the Society of Wood Engravers and they had been liked by the committee of which Eric was a member and The Times had given them a kind mention; this more than anything convinced my parents that they ought to let me go, though they thought my subjects hideous and the Mr Ravilious was perverting a nice girl who used to draw fairies and flowers into a stranger who rounded on them and did drawings that were only too clearly caricatures of themselves.”
All of these wood engravings were completed before she was just twenty-two years old. When she was twenty-two she married Eric Ravilious, another wood engraver, book illustrator and water colourist. Early in their marriage, the Ravilious’ went to live in Great Bardfield – a village in Essex, where a number of Ravilious’s artist friends and associates either lived or frequently visited. I really could have done with an index to help with the all the names of artists, friends and lovers. I ended up doing a lot of googling and in the beginning, struggled to remember who everyone was.
Sadly, from this point Tirzah’s time was taken up with domestic matters, and although she did help Eric with some of his artistic projects (a now lost mural in a Morecombe hotel for one) Tirzah’s own art took a back seat. Being married certainly didn’t stop either Eric or Tirzah from having other love affairs, all of which seemed perfectly normal to the people around them in Great Bardfield.
In 1935 Tirzah had the first of her three children (the youngest of whom has edited this autobiography and written the preface). Those years before the Second World War, were busy for Tirzah, as she struggled with a doomed love affair with another Great Bardfield artist, and cared for her children. Despite their involvement with other people, both Eric and Tirzah were generally devoted as a couple, in their own way. It was unconventional, but it seemed to work for them. During this time Tirzah spent some time designing marbled papers which she found herself able to sell.
Eric decided to volunteer as a war artist, and so in the early years of the war was away quite a lot. Tirzah was diagnosed and operated on for breast cancer – and it was following her recovery that she began to write her autobiography in the evenings while the children were asleep. Yet, it seems that art was never far from her mind.
‘I hope, dear reader, that you may be one of my descendants, but I have only three children, my grandfather had six and as I write a German aeroplane has circled round above my head taking photographs of the damage that yesterday’s raiders have done, reminding me that there is no certainty of our survival. If you are not one of my descendants then all I ask of you is that you love the country as I do, and when you come into a room, discreetly observe its pictures and its furnishings, and sympathise with painters and craftsmen.’
Tirzah emerges as a warm, modest woman, she had a lot to deal with – especially with her health, but her writing was obviously cathartic. Her writing style is particularly engaging and provides a compelling record of an extraordinary, colourful group of artists. Long Live Great Bardfield is a fabulous autobiography, well written and hugely compelling.
This sounds fascinating. I’d heard of Ravillious but not Garwood. The engraving you’ve included here is lovely, so British with everyone keeping themselves to themselves.
Yes, I love that engraving, it is so British. Ravilious was quite a character I think and must have been hard to live with.
Ravilious is one of my favourite artists, so this is a book I shall probably acquire at some point during the year. A wonderful book called Ravilious and Co the Pattern of Friendship by Andy Friend and Andy Powers was published last year to coincide with an exhibition of his work. It is well worth seeking out.
Oh excellent, thank you for the recommendation. I think you would really enjoy it as you’re a fan of Ravilious already.
Saving this for when I read the book … possibly in AUGUST! Oh dear!
Her hee – well you could always be a reading rebel and read it out of order. 😀 I am confident that you will like it a lot, though you might, like me have preferred it to have an index.
I don’t read much non-fiction either, but this does appeal. I like her style of writing and her life sounds really interesting.
I think the reason I read biographies so happily, while being less keen on non-fiction is because they tell stories of people. This one does that very well.
I am still stuck on 17 reads from 2017 which are still unreiviewed – some date from late summer, and I am peering through the fog created by more recent, better remembered reads.
Oh gosh that’s a bit of a backlog. Good luck catching up.
This sounds wonderful, and I hope I shall find the time to read the copy I was given for Christmas very soon.
I’m glad you received a copy for Christmas, I have a feeling you will really enjoy it.
This sounds fascinating. In general, I don’t have a great interest in artists but I do keep coming across references to Great Bardfield and Ravilious in some of my other readings and that has been intriguing enough for me to want to read more. Sounds like this would be just the book to try!
If you’ve an interest in Eric Ravilious then you will probably really like this autobiography.
Sounds like a lovely read, Ali – this is a Persephone I’m keen to pick up.
I’m sure you would find it every bit as fascinating as I did.
I so want this! Despite the No New Books aim I may well succumb… I have a trip to London planned next month to see Younger Daughter, and what would a trip to London be without a visit to the Persephone Bookshop…
Oh I agree, you should go to the Persephone shop, always a treat. Although I shall be in London on 13th and have no time or opportunity for the Persephone book shop, which might be just as well considering the state of the tbr.
[…] A lovely book which would merit a re-read, and a great addition to my Persephone shelf. You can read Ali’s own review here. […]
Amusingly, I have reviewed this almost exactly a year after you did! https://librofulltime.wordpress.com/2019/01/07/book-review-tirzah-garwood-long-live-great-bardfield/ I love the quote you pulled out at the end there and nearly included that in mine. What a lovely read!
So glad you enjoyed it. ☺️